It is no coincidence that the arabesque responds to a penchant for the West, which introduced it into European art from the Renaissance. To such an extent that monographs of God in kufic characters sometimes decorate Christian religious sites: one reads on the portal of the cathedral of Puy and a lintel of the old church of Lamalou-les-Bains, in France. And in Pisa, Italy, there is a 14th-century painting depicting Mary, whose halo of holiness is underlined internally by the first formula of the shahada (11), which would have been confused until the beginning of the 20th century. with simple flourishes. It is because the geometrical figure allows any projection of the imaginary, as, moreover, an unknown writing perceived as a simple drawing. Click Here for more information:- https://www.jrdecal.com/ . Different forms of writing Thus abstraction (12) offers Muslim art a universal dimension corresponding to the spirituality of Islam, which itself will slip
The Abstraction Of Islamic Art Islam is first religion of the Book and Signs. It is around the Koran that the art of the book is formed, undoubtedly the most specific of the Islamic arts since it carries the meaning. In Islam, unlike Christianity, the sacred book prevails over the messenger to whom it is revealed, and its sacredness refers to Arabic language and writing. The artistic work therefore begins with the copy, the writing and the illumination of the sacred text, which are in themselves acts of adoration before serving as ornaments. The Koran does not explicitly mention the question of the prohibition of the figurative, nor indeed that of art. The work of painting, especially that of miniatures, developed rather in Persia, where for a long time one does not hesitate to reproduce not only the animal world, characters, but even to illustrate stories about the prophets, even the Prophet Muhammad himself (most often veiled). Its prohibition, effective in the plac